Alternate titles: “Le Cimetière des voitures” Learn about this topic in these articles: discussed in biography. In Fernando Arrabal. ; Automobile Graveyard), a parody of the Christ story. The characters in his plays are frequently childlike but seldom innocent; they are . A production by the Comédie des Deux rives of l’Université d’Ottawa "Arrabal created shock waves with his “Teatro panico” in the s and s in France. With his cohorts Topor and Jodorowsky, their theatre appeared to be a continuation in a more destructive vein, of . · Alain Bashung (Jésus-Christ) et le fondateur du felipe Frente de Liberación Popular, Docteur Antonio López Campillo (Karl Marx). Photo du film Le cimetière des voitures de Fernando Arrabal. *** El cementerio de automóviles. de Fernando www.doorway.ruión de Mª José Gálvez. Escuela de Arte dramático de Murcia. Representaciones en un desguace. « aquí no están demasiado.
Le Cimetière des voitures est un téléfilm français réalisé par Fernando Arrabal, interprété par Alain Bashung et diffusé le 30 avril sur Antenne www.doorway.ru Le cimetière des voitures. Directed by. Fernando Arrabal. France, Avant-Garde, Comedy, TV Movie, Cult. Synopsis. Combining punk rock and post-apocalyptic mayhem, Arrabal's outrageous adaptation of his infamous stage play is a gallows-humor romp in a wretched dystopia. Synopsis. Le cimetière des voitures [videorecording] = Car cemetery / a film by Fernando Arrabal ; produced by Ken Legargeant and Roman Legargeant ; written by Fernando Arrabal. Format Video/Projected medium.
Género Fantástico | Surrealismo. Religión. Futuro postapocalíptico. Telefilm Sinopsis Tras una catástrofe nuclear, Milos Poncio Pilatos, un antiguo proxeneta, acoge en su terreno baldío, un cementerio de automóviles, a una banda de rockers y punks perseguida por la policía. Le cimetière des voitures book. Read reviews from world’s largest community for readers. Fernando Arrabal Terán (born Aug in Melilla, Spain) is a. Car Cemetery: Directed by Fernando Arrabal. With Alain Bashung, Juliet Berto, Micha Bayard, Roland Amstutz. Combining punk rock and post-apocalyptic mayhem, Arrabal's outrageous adaptation of his infamous stage play is a gallows-humor romp in a wretched dystopia.
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